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Part of the way in, Janet Montgomery appears as Alex, a vacationing college student who gets separated from her group and runs into Nate and the prisoners. It's not all bad: there are several awesome prosthetics (although Three Finger looks distractingly like Freakshow from Harold & Kumar Go to White Castle) even that last beat in the opening scene has a considerably cooler physical element that shows up in the other shots, but in the end, anything that required special tweaking just stands out like a sore thumb. Digital effects end up rearing their head in most of the kill sequences (and all of the driving sequences), to varying degrees of effectiveness but the same degree of obviousness. That opening scene I mentioned tries to land a great finish, but the effect is completely - and I mean completely - defeated by a remarkably bad CG shot. The flaws with Left For Dead mostly seem caused by constraints placed on the production.
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Most of them are little visual touches, but one is sort of a key plot point. And even though I wasn't a fan, I also liked the film's callbacks to the original Wrong Turn.
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I kept worrying the movie was going to pull an annoying twist with the character, but it manages to resist. Helping Nate out is a prisoner named Brandon (Tom McKay), who seems like he might not actually be a criminal. It's always aggravating to hear about people on their "last day" before retirement, because that never means anything good in the movies, but like Chavez, Nate takes things in stride and tries to deal with each problem as it presents itself as intelligently as possible. Nate, meanwhile, is a likable everyman hero. Similarly, Kolirin gives Floyd the ability to at least temporarily keep his anger in check, and in a rarity among prison thugs, never tries to out-snarl Chavez in some sort of silly hard-man standoff despite the pair's increasing dislike for one another, which is also a huge relief.
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Sure, Chavez is a hateful and violent person, but he also makes strategic moves through the woods once he knows they're being tracked and knows how to lead, so even if the guy would be terrifying to be around in real life, he's easy for the audience to understand. In fact (in a good way), Chavez may be one of the most appealing movie villains I've seen in a long time. You can always sense these guys actually thinking about the things happening to them instead of acting irrationally or making dumb decisions, which really makes all the difference in caring about what happens to them.
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It's shocking that a group of prisoners in a movie don't immediately devolve into awful caricature, but Wrong Turn 3 manages to pull it off. The best thing about Wrong Turn 3 is the performances, which are almost entirely enjoyable. Instead of Chavez's crew, however, everyone's favorite mutant-hillbilly-cannibal Three Finger (Borislav Iliev) runs the bus off the road, killing several of Nate's fellow guards and making Nate the prisoner as Chavez leads the entire group through the woods, still shackled together by prison handcuffs, on the lookout for their deformed, hungry stalker. Leading the group is Nate (Tom Frederic), just trying to make it through his last day before he heads off to law school. Wrong Turn 3: Left For Dead doesn't have Lynch at the helm, nor Rollins in the lead (or Dushku, for that matter), but it's still leagues better than the first, which, against all odds, remains the weakest movie in the series.Īfter a prologue that tries in vain to top the beginning of Dead End (more on this later), we meet the prison guards and prisoners at Grafton Penitentiary, where the staff moves up a scheduled inmate transfer and changes the route amidst (correct) fears that notorious resident Chavez (Tamer Hassan) is planning a breakout, with the assistance of another prisoner named Floyd (Gil Kolirin). Yet, Dead End is a stylish splatter film thanks to director Joe Lynch, which not only packs an awe-inspiring opening credit sequence (funny and strikingly directed on top of being a masterpiece of gore) but perfectly utilizes the ass-kicking Henry Rollins as the film's star. Therefore, logic suggests that Wrong Turn 2: Dead End should be appallingly bad, given that it was a direct-to-DVD sequel of a horror film that I didn't even like, despite Eliza Dushku in a wifebeater doing her best to keep my attention. Three things I've learned during my time as a hardcore film lover: horror movies often suck (any moron with a camera can mix up some fake blood), sequels usually suck, and almost invariably, direct-to-video movies really, really suck.